Monday, September 24, 2012

A Photographic Reality

    Upon reading the After Photography by Fred Richman, there came to mind the many ideas and different modes of looking at photography and its influence on the world particularly in the digital age. It is interesting to see how far photography has come from its earlier forms. It used to be that photography was moreso a process in which photographs were taken and the film was developed and thus photos were created. Then instant photos came about in the later years of the 20th century. Yet now in the digital age, photos are not only instant but they are able to capture even the most minute details. In fact digital photography now can be see not so much as process (though there are processes required for developing different types of film) but as the traveling of pixels and megabytes through a digital realm into a memory space. Digital photography also allows for pictures to be manipulated while in the camera and before the film is even developed.
     Yet what proved to be the most striking thought was when Richman talked about how photography created new realities as well as how our view of the world can also be consider photographic in some senses According to sculptor, Alberto Giacometti, "one never sees things, one always sees them through a screen". This poses an interesting idea of how our world, as we envision it, exist only as the reality that we ourselves are seeing. In other words, we can't see the world through one another's eyes, only our own. So what we see is a replication or mirror image of what actually exists--this replication being our vision. Richman goes further into that idea and asks the question "where, then is the "real" now?" From this he creates this idea that we are always looking at photographs or replications of reality. Whether it is an image of map which is a picture that replicates a picture of an actual place or places or even the images depicted from television shows and stations where a past reality (depending on when it was recorded or the 1 second delayed transmission of a live recording), we are always looking at reality through a screen.

Tuesday, September 18, 2012

Self Assessment for Project 1

Video Url: "Embody"
 http://www.youtube.com/watch?v=ZtJ4PXtzwm0&feature=plcp
Self-Assessment

            The central theme of my work focuses on zooming in on different parts of the body as they perform mundane and routine actions in effort to create a life and significance for these parts of the body and make these actions important by making them monumental. In one day, our body, from our hands to our feet, our eyes, our mouths, and from our ears down to our toes individually and collectively perform over a hundred actions in one day. We make over a hundred decisions and a hundred interactions whether we are typing a paper, looking through a book, or even hugging and kissing, such simple actions are what make us human. They are what give us personality, language, culture, practices, religion, etc. Ultimately, they are what give us life. And yet such critical things go unnoticed because we see them as everyday and unimportant though they allow us to do so many things and maintain our routine way of living. This is the very realization that drove me to create this visual salute to such ordinary objects and mannerisms. I want to express the significance to viewers yet at the same time spark an interest in anatomy. Human anatomy also inspired my work because it is fascinating to think that over a thousand functions are being performed within the body not to mention the millions of interaction of cells that are pertinent to the functioning and basic survival of a human being. However, zooming in on parts of the body, just as American photographer, Jason Horowitz does, may generate negative reactions from the viewer because such a large view of things like kissing or chewing food may come off as repulsion. Yet, again like Horowitz shows in his works, there is also this attraction that the viewer will toward to such a close up image. It is so close up and large scale that it proves difficult to avoid. So with that in mind, I intended the outset of my work to underline this same theme of repulsion and attraction as well to create a conscious awareness for the significance of our bodies.
So the process of executing this project began with my first attempt at portraying the “secret lives” of hands and feet. I wanted to show their daily actions as sort of a montage of different actions and interactions. I began by filming my hands and feet as I performed my own daily routine and then I introduced other people with their hands and feet performing their daily routines. Yet the message was not effectively communicated nor executed because the mundane actions that I attempted to bring life to, still ended up remaining as mundane actions because I had I excluded actual experimentation with the camera that I was using. Instead I just gave the picture as it was but there was no content, there was no interest, and ultimately there was really no significance. Then in my second attempt, I began focusing more on the experimental side of filming rather than the subject matter. Yet I also expanded my subject matter to include eyes, lips, and fingers and I took my camera into more “unseen” places. I experimented with water, angles, and obscuring the lenses in different ways to affect how the camera and the viewer sees the images. Then I looked more into the works of Jason Horowitz and used them as my inspiration. What I have understood from my second attempt as well as from Horowitz works was that I had been limiting myself to a regular image in a regular frame. This led me to improve the quality of my images by using a higher quality camera (in conjunction with my flip camera that allowed me to film underwater), zooming in on my subject matter to capture the details, wrinkles, crevices, and the creases that personalize these parts of the body and make them seem more alive.
           
My overall process began as an almost frivolous attempt to characterize hands and feet and give them significance yet the effort in the execution was definitely lacking. I did not attempt to capture from a different angle or perspective, experiment with the lens capture or even quality of the camera, and I didn’t really make it as creative as I could have. After the feedback from my first project, I struggled with my concept and subject matter and there were many times that I had wanted to change my direction completely. Yet examining the works of Jason Horowitz and using them to inspire me really aided me in generating a stronger concept and executing it in a timely and efficient manor. For the second project, I experimented with stills rather than film because I wanted to focus on the experimental side of the media and I found a lot more joy in coming up with new ideas and ways of capturing an action. I also found that I spend a great deal of time shooting one action. I would constantly perform an action and experimentation with the camera lens until I was able to capture that exact image I was looking for. And so for my final project, I worked even more diligently in trying to capture interesting actions through various and interesting perspectives. I filmed in different types of light and I would film a shot over and over until I received the perfect image. In terms of editing and adding life to the piece, it took me several days to figure out how I wanted to animate it as well as a song that would fit perfectly with the piece without distracting viewers from understanding the theme. It was a long process in all, yet it was worth it because I paid more attention to details—the very details I was trying to signify and characterize.
Stepping back from the piece, I’d say that it does a good job of clear expressing and presenting the subject matter as different parts of the body. It also has a clear direction in terms of how it is organized. The piece begins in the day with the rising sun which the rising of eyelids plays off of. The morning routines are relatable and recognizable yet it is made interesting with the play on perspective of actions performed such as showering, brushing one’s teeth, applying makeup, putting on clothing. This play on perspective and obscuring of the lens follows through into the afternoon and night with scenes taken from the reflection of the computer screen on the eyes and eyeglasses and the view of food being consumed by the mouth and teeth. There is also a sense of feel and intimacy that is projected on the audience with the zoomed in view of a smile showing and each wrinkle and crease. The play on perspective and experiments with the lens are the strongest points of the piece yet where the piece lacks is portraying the theme of the “life” or personification of these various parts of the body. Though the music adds to a sort of liveliness in the portrayal of these parts, it just seems that these images are close-up views taken from different yet interesting perspectives. Yet the theme of repulsion and attraction is definitely accomplished through the way the scenes are captured close up. Perhaps what could be adjusted is the music played over the actual sounds of the scenes. If there were more natural sound effects, maybe even a dialogue over the piece, it would make these parts of the body seem like there were their own individuals. Also, the changes in different people and parts of their bodies may have also distracted or complicated the theme. Focusing on one person going through their whole day may simplify the image and provide a clearer portrayal of the theme of the significant lives and actions of one’s body parts. And with this in mind, I feel as though my grade lies somewhere between  A- and B+ because there was a definite organization of the storyline but the theme may have not been communicated as strongly as it could have been.

                                                                    http://www.youtube.com/watch?v=ZtJ4PXtzwm0&feature=plcp

Wednesday, September 12, 2012

Project Plan and Research of Jason Horowitz

 Upon beginning my work, I first focused on documenting the actions of hands and feet, so as to bring significance to what would otherwise be considered as mundane, routine actions. Though the some of the shortcomings of my first project were that the piece seemed to disjointed by focusing on different hands and feet doing different actions but at different points of the day. In addition to that, I also didn't quite zoom in enough to make the actions seem more so larger than life. There seemed to be this awkward repetitive nature of simply showing shots of feet walking or hands moving and I didn't at all intend for it to be repetitiveness and mundane. I also did not experiment too much with angling the shots and placing the camera in different environments.
 So with that in mind, I tried to improve my work in my second shot by experimenting in three different ways: a different or interesting environmental, obscuring of the camera lens, and angling. I also expanded the subject matter from being simply hands and feet to covering different parts of the body like the face, eyes, lips, fingers, etc. I also experimented with placing the camera on my hand or shin so as to capture the view of the world as if through the eyes of one's hands and feet. I took stills and videos of my face immersed in water, the inside of a hand shake, the view from my roller skates as I was skating around my room, and the image of lips fogging the camera lens.
 From this experiment, I learned of the artist, Jason Horowitz whose work I find similar to my goals for the project. The photograph and portraits that he literally zoom in onto subject and in doing so the features of the subject become the more significant subject matter of the piece. For example, I find inspiration from his "Drag", "Corpus", and "Corpora" portfolio collection because they take an extremely close-up look into the features of the subject and make them significant. He makes their features characters--he illustrates their lives. These vivid images depict regular people, routine actions, as well as perfectly unique styles and lifestyles and creates larger than life images that almost glorify such things that would be considered plain and ordinary in the subjects' lives.
 So for my final project, I plan to focus my subject matter on different parts of the body and zoom in on them as they go through the daily routines starting from the morning and ending at night. I want to show how their actions and interactions with other parts of the body and the objects they are coming into contact with. I plan to use a lot of angling and zooming to capture the essence of the subject matter. I also plan to experiment with the camera in different environments. For example, when one is washing their hands, I want to capture the action from the perspective of the sink looking up at the hands. Another example is when one is breathing, I want to show the nostrils and how they flair and allow it to fog the camera so that there is a sense of feeling invoked. I will use angling so as to show the insides of hand shakes, the embracing of lips when they kiss, the tango of tongue and teeth when food is being chewed and swallowed. Like the work of Horowitz, my work seems a bit disturbing with such an enlarged and intimate view of actions but again, this is simply meant to bring life to these actions that are overlooked, mundane, simple. To make simple subject matters into people and give them life and significance as well as possibly a story--that is my goal.

Wednesday, September 5, 2012

A Magical Experimentation


Magic is something I have always been fascinated by and it is something I'd like to explore and experiment within my works. The manipulation of the camera and distortion of perception to create illusion. Magic is all trick of the eye so I would need to find a way to "trick" the camera or distort its perception in such a way that it then also distorts the viewer's perception. Apart from studying the tricks of past and contemporary magicians such as Houdini and David Copperfield, some of the elements I would like to explore with in my experiment are the effects of a damaged, tampered, or broken camera. I would like to particularly explore the distortion of image using a broken lens or capturing a scene through broken and stained glass. I also want to explore and look more into reflections and the manipulation of mirrored images. What I hope to achieve is the creation of a series of images demonstrating a type of kaleidoscope and illusionist effect on images. In doing so, I'd like my works to portray a theme of a "designed distortion" or a beautiful yet false reality. It is a demonstration and display of the world as it exists but in sort of a new dimension as seen from an imaginative, slightly deformed perspective. My inspiration for this works comes from the techniques that produce solargraphs as well as the vivid imagery formed from scanographs and quasioptics. I hope to use and possibly combine these different camera techniques in hopes of creating something new that plays with the mind's eye and creates an illusion of reality for the viewer.

Monday, September 3, 2012

Graffiti Inc.

Christian Guemy
 "C215"

Christian Guemy or by his pen name "C215" is a french graffiti artist who focuses his work on stenciling, portraiture, and images of romance and horror. He has been hailed as France's own Banksy and his works can be seen all over from the streets of Brooklyn, New York to exhibits in Paris. What is interesting about this work in particular is the fact that he exhibits such a broad range of subject matters in his each of his pieces. Best of all, the subject of most of his works happens to be his daughter to whom he is very devoted to. His works are absolutely gorgeous and incredibly eye catching with his illustrious detailing and usage of color in the portraits that he creates. He is also not as secretive and discreet as other street and graffiti artists are which I like because I hold this belief that the world is our canvas and who is to say what part of the earth that we all share is private. We should be free to express and communicate and create works that establish a dialogue between ourselves as the artists and the public that views it.


      Street art and graffiti are something I have recently come into interest with. The whole idea of public expression and dialogue I find to be incredibly fascinating and worthwhile to the point that I want to focus my a part of my life career on. Art and expression should never be silenced and if we are trying to advocate that then we should then redefine its boundaries. And in doing so, graffiti and street art would not be seen so much as vandalism, given that there would be guidelines as well as more governmental programs advocating and alloting space for it. Graffiti would thus been seen as public art commenting on the societal norms and limitations in which we live and with such comments, progressive and positive actions maybe could be taken to better the society.

http://www.youtube.com/watch?v=s8-3jjEdF3o

http://c.215.free.fr/
http://us.fotolog.com/c215/58092200/

Experimental Video Shoot:
http://www.youtube.com/watch?v=pKZbfkula1I&feature=plcp (with music)
http://www.youtube.com/watch?v=CsLHYZ8SGIg&feature=context-cha